Archive for the ‘Clark Art Institute’ Category

Ando’s wood building in the Berkshires will open this weekend

06/20/2008

Japanese architect Tadao Ando’s first wooden building in the US will open this Sunday, June 22.

He comes from a land that I suppose knows something about wood.


Ando’s previous buildings in the US have been mostly in the smooth concrete he specifies,



such as his miraculous Pulitzer Foundation for the Arts in St. Louis.

(Through October 4, 2008 The Pulitzer Foundation for the Arts in St. Louis is showing Dan Flavin: Constructed Light. Wouldn’t that be fabulous to see in Ando’s spaces? And to go along with that, to demonstrate the “shapes of light,” the Pulitzer will present on June 18, 2008, a concert of music by John Cage, Philip Glass and Steve Reich. Smart programming. With David Robertson conducting!)

But the Clark Art Institute is in the Berkshires and Ando’s wood – along with steel and glass – fits in well. Here it is, seen last winter. I posted on it then, here and here, when it was under construction, and before the landscaping was done.


The Clark says,

“The selection of Mr. Ando was influenced by his other work in pristine rural settings, where he has created modernist buildings that complement the natural beauty of their surroundings.”

In the Berkshires, he’s building among the fir (?) trees:

Ando’s favorite material is concrete, but he has used wood before, such as at the Japan Pavilion for Expo ’92 in Spain and at around the same time, for the Museum of Wood deep in Hyogo, Japan’s Mikata-gun Forest.

“The Museum of Wood was built to celebrate the National Tree Festival, which has been held every year for forty-five years since the Emperor established it following destruction of the country’s forests in the second world war.

The museum is a declared homage to the huge task of reconstruction of the forest resources of which Japan is now justifiably proud, and the fact that it is constructed almost entirely out of wood demonstrates the Japanese veneration for this product of nature that underlies the country’s traditional concept of what architecture is.”

Earlier this month I was in Japan and saw Ando’s shopping mall (shopping mall!) – upscale to be sure – on Tokyo’s famed shopping street Omotesando. (Omote-sandō (表参道))

It’s one of the rare avenues in the Japanese capital to feature trees for a great stretch. There he built along that street’s famous zelkova trees:


These are the trees that inspired his fellow Japanese architect Toyo Ito’s building for Tod’s, across the street.


Ito’s Tod’s also takes the form of the famous zelkova trees, and reflects them.


The Vuitton store, a masterpiece by Jun Aoki, also shows off the zelkovas.


And doesn’t it, in its way, look like the Katsura Villa in the very top photograph?

Anyway, back to Ando. He designed a shopping mall (with high-end residences) for this street. On the outside:


And on the inside, shadows of trees are brought in:


The shadows move, with fancy machinery such as this (how very Japanese!)


And you hear new age music and the recorded sounds of birds:
(click on the arrow)

And even though a mall, it’s lovely inside:


And isn’t this like a river, cascading through the forest.

Who would have thought that Ando’s concrete would work so well, be elegant enough for a high-end mall? But it’s done well, poured well, finished well and proportioned well.


In a way this is a wooden building, although you don’t see it. What makes Ando’s concrete “smooth-as-silk” is not the mix of concrete he specifies, but the high quality wooden form work into which it is poured.


Back outside, in the rain that makes that the trees grow, Ando’s translucent glass shines beautifully modernist on the avenue.

Saturday, June 21 2008, Tadao Ando will be at the Clark Art Institute in Williamstown, Mass. for the opening of Phase I of his work there. He’ll speak about his Clark projects and other recent work in a members-only lecture. Join the Clark, it’ll be worth it. Ando packs a punch. He’s a former boxer (true!)

Saturday night the Stone Hill Center, as this new building is called will open with a gala.

I can’t wait to see this landscaped, and in summer. Although, good Japanese architecture understands winter too.


Ando has given us a nice modernist interplay between the straight line and nature’s curves. Between the industrial and the organic. And a very provocative, yet satisfying Japanese interplay between solid and void.


32,000-square-feet for new galleries, that’s them behind the glass above, so they’ll have natural light when appropriate.


To open these rooms this weekend, the Clark has chosen twelve paintings from its collection that should heighten the connection with nature already embodied in the architecture.

From Clark PR: “Stone Hill Center brings us into the surrounding landscape as never before and allows for spectacular views from the terrace of Tadao Ando’s splendid new building,” said director Michael Conforti. “We have carefully selected these works by Homer and Sargent to highlight the art in nature experience….
Paintings owned by the Clark show Winslow Homer and John Singer Sargent capturing sensations ranging from North Atlantic cold to North African heat.

On view June 22 through October 19.

Should be nice, a dozen paintings in contemplative rooms in the woods.

The Stone Hill Center will also house a meeting and studio art classroom, and the Williamstown Art Conservation Center, the largest regional conservation center in the U.S. Here’s one of its rooms with a view:


A terrace café will offer calming views of the Taconic Range and Green Mountains (also seen last winter.)


A new network of trails and paths helps integrate the building into the landscape. Landscape architecture by Reed Hilderbrand Associates.

The Clark is rightfully- and now more than ever- proud of being one of the few major art museums in the world in a rural setting. And theirs is the beautiful Berkshires.

Remember, this week only Phase I of their expansion will open. Phase II will be even more exciting. It will include a second new building by Ando: the Exhibition, Visitor, and Conference Center. Plus a one-and-a-half-acre reflecting pool to visually connect all the buildings on the main campus and reorient them toward Stone Hill.

I think most public buildings could use a reflecting pool. But that’s enough reflections from me.

One more shot from last winter from inside one of his new galleries.


Reminds me of the Farnsworth House porch, and the cross at the end reminds me of Ando’s famous Church of the Light in his home town of Osaka.


The solids and voids are reversed. Is that because the church is sacred and the gallery profane?

I’ll be at the Clark this Friday and Saturday. (I’ll also tour the Sol LeWitt installations going up at the nearby MASS MoCA.)

I’ll talk to Ando, and bring you all the news and new photos. Maybe even more video!

I think I’ll ask him about this: When Ando was a boy in Osaka, a carpenter lived across the street. Ando spent a lot of time there. The carpenter taught him a love for wood and working with it.
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Update 6/22: We’ll have lots more to say about the new Clark building, having spent three days there, including interesting talks with Tadao Ando. Check back soon.

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An Ando WC

02/06/2008


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Ando in a Massachusetts forest

02/06/2008

Tadao Ando’s first building of wood in the US, an addition to the Clark Art Institute in Williamstown, Mass. will open on June 22. I made a pilgrimage.
You start out in the woods. You leave the existing Clark Art Institute, with its Renoirs and Sargents, Degas, Homers and much more, and you re-enter nature. You walk up a path, through the woods, to the new ‘Stone Hill Center’. Think of it as a chapel, in the woods, for art.


At the beginning of your journey, you don’t see it. Like walking up the Acropolis to the Parthenon. And then you catch a view.


You walk around it, not directly up to it, as at the Acropolis. With delayed gratification you desire this place more. And slow unfolding gives the materials a chance to sing to you. A siren song.

Just simple interlocking planes of concrete and wood,


steel and glass, solid and voids, air, light and shadow.

As you walk past all this, ever ascending a hill, halfway around the handsome structure, you admire it, from all views. Finally, you are offered a void in a concrete wall (above.) Here you might enter. Of course, no entrance is given to you. Straight ahead is a solid wood wall. No door. You pause ever-so-slightly before approaching; and think about what you are entering. And how much it is worth to you. You have faith, and by now you believe in this place because you’ve worked for it. So move forward. Once “through” the concrete wall, you turn to the right, and this is what you see,


One last chance to remain outdoors. But it’s too late for that. You move forward a few steps and turn 90 degrees left. There’s the opening. The way in.

I’ll post on the interior, with more photos, in a little while.

Inside I found serenity, joy, and mystery.


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Ando in Massachusetts

12/09/2007






And the same photo manipulated
(where have you gone, Sugimoto?)


And speaking of Japanese serenity, another “snowy” vision –

Tadao Ando’s first building of wood, outside of Japan.

The Stone Hill Center at The Sterling and Francine Clark Art Institute will open on June 22, 2008.

From the release:

The two-story, 32,000 square feet glass and wood building will house galleries, a studio art classroom, a conference room, and an outdoor café. The building will also serve as the new home for the Williamstown Art Conservation Centre.

In response to its unique (rural art museum) context, Ando has gracefully tucked the new building into its wooded hillside setting, revealing only one level when approached from its main entry to the north, east and west. A large terrace provides panoramic views of the Green Mountains and Taconic Ridge. Ando’s building will join two existing buildings on Clark’s campus.

A fourth building, also designed by Ando, which will house additional gallery and exhibition space, will be built as part of Phase II. That building is scheduled for completion in 2013.

Ando portrait courtesy Clark Institute